Gallery

MW 011-01

View MW 011-01 Image contains violence or tools of violence.

MW 012-01

View MW 012-01 Red and white divided evenly horizontally; saturated red on top. Three lines of white text on red ground, and two lines of red text on white ground. Complete text reads: Communication is hard because language is soft. Hard and soft are larger than other text. Hard uses a square font. Soft uses a curved font.

Red and white divided evenly horizontally; saturated red on top. Three lines of white text on red ground, and two lines of red text on white ground. Complete text reads: Communication is hard because language is soft. Hard and soft are larger than other text. Hard uses a square font. Soft uses a curved font.

MW 013-01

View MW 013-01 Black ground with indistinguishable black and white photograph of artist on right one-third of image. Looks like sand being blown away from left to right. Three lines of white text occupies left two-thirds: You too will be forgotten.

Black ground with indistinguishable black and white photograph of artist on right one-third of image. Looks like sand being blown away from left to right. Three lines of white text occupies left two-thirds: You too will be forgotten.

MW 014-01

View MW 014-01 Black ground with indistinguishable black and white photograph of artist occupying most of frame. Looks like sand has been poured on the portrait. Four lines of white text occupies top left: Imagine the future ʼcause youʼre not in it.

Black ground with indistinguishable black and white photograph of artist occupying most of frame. Looks like sand has been poured on the portrait. Four lines of white text occupies top left: Imagine the future ʼcause youʼre not in it.

MW 015-01

View MW 015-01 Top half is black on white, bottom half is white on black. Two lines of text, on on the top and one on the bottom. Line 1: Itʼs not my fault. Line 2: Youʼre an idiot.

Top half is black on white, bottom half is white on black. Two lines of text, on on the top and one on the bottom. Line 1: Itʼs not my fault. Line 2: Youʼre an idiot.

MW 016-01

View MW 016-01 Four lines of text. Line 1: Curb. Line 2: Global. Line 3: Warming. Line 4: Stop breathing. First three lines occupy the top three-fourths of image and are black on white. Fourth line occupies bottom quarter of image and is white on black.

Four lines of text. Line 1: Curb. Line 2: Global. Line 3: Warming. Line 4: Stop breathing. First three lines occupy the top three-fourths of image and are black on white. Fourth line occupies bottom quarter of image and is white on black.

MW 017-01

View MW 017-01 Four lines of which text on black ground. Line 1: We use pronouns. Line 2: so the audience thinks. Line 3: weʼre talking to them. Line 4: Do you think it works? Each pronoun is bold.

Four lines of which text on black ground. Line 1: We use pronouns. Line 2: so the audience thinks. Line 3: weʼre talking to them. Line 4: Do you think it works? Each pronoun is bold.

MW 018-01

View MW 018-01 High saturation yellow ground with light purple figure in the shape of a carnival ticket. Text on carnival ticket: Admit zero. Text is dark purple.

High saturation yellow ground with light purple figure in the shape of a carnival ticket. Text on carnival ticket: Admit zero. Text is dark purple.

MW 019-01

View MW 019-01 Image divided in half horizontally. Top half is saturated mint gree. Bottom half is black. Two lines of text. Top line: Bread or. Bottom line: fresh air?

Image divided in half horizontally. Top half is saturated mint gree. Bottom half is black. Two lines of text. Top line: Bread or. Bottom line: fresh air?

MW 020-01

View MW 020-01 Black background with white text. Line 1: In our world there will be no emotions except. Line 2: fear. Line 3: rage. Line 4: triumph and. Line 5: self-abasement. Line 6: George Orwell.

Black background with white text. Line 1: In our world there will be no emotions except. Line 2: fear. Line 3: rage. Line 4: triumph and. Line 5: self-abasement. Line 6: George Orwell.